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Online Full Movie. Film Review: All Things Must Pass. Note: This review was originally published back in March 2. That’s something to think about while watching Colin Hanks’ directorial debut, All Things Must Pass. The full- length documentary charts the rise and fall of Tower Records, a one- time empire record chain that closed its doors across America in 2. But here’s what Hanks wants you to know: It wasn’t just the Internet that put the kibosh on the iconic brand name. The company’s tragic bankruptcy and. On a long enough timeline, the problems are bound to catch up. And they did. Hanks rewinds history by starting his film at the franchise’s humbled beginnings, back in 1. Russell Solomon founded the first store in Sacramento, California. The idea came to Solomon when his father’s popular drugstore, which shared real estate with Tower Theater, began selling used records to much success. Now, put those two pieces together and, well, you can easily understand how the magic came to fruition. What’s then captivating is how fast Solomon’s. He pulls from a heavy roster of original sources, starting with Solomon and working his way through the company’s former upper management, peppering these faces with the occasional celebrity like Dave Grohl (“I only wanted to work at Tower Records”), Bruce Springsteen (“It’s that place where your dreams meet the listener”), or Sir Elton John (“I spent more money at Tower Records than any other human being”). And together, they reconstruct the company’s labor of love as. Hanks dazzles his viewers with rare gems, like excavated footage of Elton John’s aforementioned shopping sprees, and bruises with aching, genuine moments, like when former Universal Music head honcho Jim Urie sheds tears as he remembers how Solomon hired him one Christmas long ago. Yet, when the story starts hitting the company’s rough patches, things do get serious and bleak. The tone shifts agreeably, and it starts to slowly go from a sensational romp to a head- shaking exercise of shame. What’s great about Hanks’ vision, however, is how many of. And, really, that’s what kills the company: They kept looking at wider pastures without ever thinking of the consequences. Surprisingly, each person involved is pretty transparent about their mistakes, especially Solomon. They acknowledge that the rise of Napster and the proliferation of online media essentially killed their traffic flow, but also willingly address that the gluttonous. The source of grief is instead shifted to the real loss — the institution — and that’s when the heart gets tugged. In its heyday, Tower Records was a cultural phenomenon and zeitgeist, where veterans and new listeners alike stormed the aisles and lived harmoniously together in this sort of pop culture community. Hanks recognizes this and has written a passionate love letter to this era, celebrating neither the sales nor the size, but the spirit. It’s no surprise that he spent seven years working on this documentary, which was also crowdfunded via Kickstarter, because there’s just so much compassion at hand. There’s also a deeper. If nothing else, that’s an apt reason to consider All Things Must Pass. Besides, given its recent resurgence.
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